Education is key, and I don’t mean writing classes, I mean editors taking the time to not just tell an author, “Set up a Twitter account and a Facebook and promote your work,” but actually take the time to school them on how to use those platforms, and to give them greater assistance in doing events and interviews.
When I’m looking for a book, I look for stylists. It’s not the just the story, it’s how it’s told. That’s a pretty boring thing to say, but it’s true. Our first writer we published was Kyle Coma-Thompson. That’s a writer who has a lot to say, and he says it in a way that really isn’t like anyone else. His stuff can be polarizing, and often puzzling, but the way he writes, the way he pays attention to the sentence is remarkable. He’s soon to be a force.
We offer a vehicle where contemporary literature can travel. We are invested in fostering a community of readers and writers passionate about words and language, regardless of where they live.
We publish books in English and Spanish and translations into English from Spanish and Portuguese. These languages represent the connections the founders have with their cultures and languages of origin, as well as languages and literatures we are familiar with and want to share with a wide readership.
Our mission is to publish literary fiction and nonfiction at the intersection of the arts and sciences because we believe that science and the humanities are natural companions for understanding the human experience. Our aesthetic is revealed through our books, and our influences are the totality of our experience as students and passionate readers of literary writing.
Nominal Case by Thomas Cotsonas Black Lawrence Press, 2016 180 pages – Black Lawrence / Amazon I first came across the stories of Thomas Cotsonas as an editor of…
We must ask questions and work together—not just publishers, but authors and agents and readers and booksellers and everyone who has a stake in the literary community, in this era of content, content, content. Is the traditional publishing distribution model sustainable on a smaller scale, i.e. fewer than six to twelve titles per year? Why aren’t major awards moving the sales needle to a significant degree? If debut authors want independent presses to open more slots in our catalogs, then how can they help support our growth? How can we get everyday readers—people who aren’t industry stakeholders—reading more fiction?
It Had Been Planned and There Were Guides by Jessica Lee Richardson 2015, Fiction Collective 2 232 pages – FC2 (University of Alabama Press) / Amazon I have never had…
You know, the typical publishing story. I was sitting in a bar in the year 2000 with some freak I knew from a miserable job I had at the time and he turned to me and said, “I want to start a press and you should be the editor because you are very outgoing.” I downed my tenth or so beer and told him that was a great idea and he could count me in. At this miserable job, I had written a novel called For Fucks Sake, and we decided to launch the press with my book. At the same time, I started dating my future wife Elizabeth, who already worked in publishing, at a literary agency. The three of us spent the next two years meeting at the freak’s apartment with occasional assorted other freaks making detailed plans on how we would publish our one book; after the meetings, we would all go to dinner and get drunk.
Doll Palace by Sara Lippmann Dock Street Press, 2014 258 pages – Dock Street / Amazon Lippmann is a rare phenomenon. Her short story collection, Doll Palace (Dock Street Press),…
The New York Stories by Ben Tanzer Chicago Center for Literature and Photography, 2015 224 pages – CCLAP / Amazon The copiously productive and under-ground-indie-writer-extradordinaire, Ben Tanzer, is now out…
Valparaiso, Round the Horn by Madeline ffitch Publishing Genius, 2015 246 pages – Publishing Genius / Amazon It’s important that Madeline ffitch chose to name her debut collection after a…
Write Bloody authors are diverse and out there—in small record shops and large colleges, in strange theaters and swampy bars—doing readings all across Europe, Australia and the United States. Going to a reading will one day be as common as going to the movies or to see a band and Write Bloody is currently paving the way. Our books are found in bookstores around the world from Guam to Berlin.
Gutshot by Amelia Gray FSG Originals, 2015 224 pages — FSG / Amazon Amelia Gray has a knack for characters. In the thirty-eight short stories that comprise Gutshot, her latest collection,…
The Hook and the Haymaker by Jared Yates Sexton Split Lip Press, 2015 206 pages – Split Lip / Amazon Jared Yates Sexton will tell you flat-out: Hoosier born…