Image Credit: Gellinger at Pixabay In Kirsten Imani Kasai’s eerily beautiful novel The House of Erzulie, a diary and a packet of letters are found under the floorboards of…
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A Review of Hulu’s Catch-22 and Prognostications for Netflix’s One Hundred Years of Solitude Once upon a time, Catch-22 by Joseph Heller was, according to Vanity Fair, “one of the…
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As a non-profit, mission-driven press, our goal is to ensure US culture includes, values, and reflects Hispanic contributions. Arte Público began publishing Latino authors of the US, including Sandra Cisneros’ The House on Mango Street, and works by Ana Castillo, Denise Chávez, and Gary Soto.
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We put on our jackets to go up to the roof of Liz’s building in Brooklyn. Liz carried a Ziploc bag, and I carried a pack of cigarettes. When I…
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The 1980s were a contentious time in Korea. Following the 1979 assassination of dictator, Park Chung-hee, protests began springing up all over the country after one of his generals seized…
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Written Lives by Javier Marías Translated by Margaret Jull Costa Penguin Modern Classics, 2016 (First published in English by New Directions in 2006) 208 pages – Penguin /Amazon The great figures in…
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Kurt Vonnegut’s Slaughterhouse-Five: Bookmarked by Curtis Smith Ig Publishing, 2016 184 pages – Ig / Amazon How does a “classic” book continue to ripple through our culture? This is…
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Transitory Poetics is a monthly review series by Toby Altman focused solely on current and upcoming chapbooks. You can read the introduction here. Let me begin with an understatement: contemporary poetry has a complicated relationship…
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“In literature, the most essential thing is freedom.” d –Enrique Vila-Matas. Spanish writer Enrique Vila-Matas (born in Barcelona, 1948) seems his own creation—someone carefree but self-absorbed…
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A list of Literary Bears Compiled by the Entropy Community The Bear from In the House Upon the Dirt Between the Lake and the Woods by Matt Bell Where would…
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Sand Opera by Philip Metres Alice James Books, 2015 100 pages – Alice James / Amazon “When we speak we are afraid our words will not be heard or welcomed.…
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I will say that the beauty of a small press is that you can take small risks, and ideally use any limitations as assets. One of the things that I love about the stories of Black Mountain College is that they had little in terms of resources but nevertheless had a tremendous cultural impact. Of course it’s easier to think like that now that we have a degree of stability, but especially in the beginning we had little to no overhead. Which is a good thing, because it took about four years before the first two books we’d published paid for themselves. Since then the press mostly maintains itself, but definitely I would say it’s a lucky thing to break even on a project and any earned income goes into future publishing projects.
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The Weight of Things by Marianne Fritz Translated by Adrian Nathan West Dorothy, 2015 144 pages – Dorothy / Amazon When reading The Weight of Things by Marianne Fritz, I…
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The Correspondence Artist by Barbara Browning Two Dollar Radio, 2011 192 pages – TDR / Amazon I’m Trying to Reach You by Barbara Browning Two Dollar Radio, 2012 224 pages – TDR…
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