feminist

SPOILER ALERT Alfonso Cuarón has made a feminist film. A friend of mine, a Chicana artist and activist, said I had to see Roma. Well, everyone’s saying you have to see…

Website Submission Guidelines Interview with Kate Partridge and Alyse Knorr, Editors How did Switchback Books start? Switchback Books was founded in 2006 by the amazing poets and editors Hanna Andrews,…

Eric Westerlind and I both work in the service industry to support Fathom. Our printer, Eberhardt, is also run by an independent artisan, struggling month to month. The money’s made on our backs and the books are too. We ‘cope’ by gritting teeth, keeping the friends and writers we admire close, and believing in our mission to make and share the dire books. 

We’re not exempt just because we’re editors: if we’re going to ask for this type of work, we better be able to do this type of work. We have to know what it feels like to make it. It’s beyond us, but we’re not beyond it.

Ragged Sky is a small, highly selective cooperative press.  We work with our authors closely.  Authors retain copyright and we use our experience and professional resources to support the author’s work through the editing, production, and marketing process. 

  Remember when Serial came out and everyone was like, “Oh my God, have you heard of podcasts? They’re amazing!” True, this may not have been the case for you—by…

1 Meeting I have frequented a myriad of gyms for over a decade, and never have I been so immediately struck by another patron as I was by Houdah Abotteen…

I just didn’t have that kind of patience or will to wait. I just wanted to do. That need for immediacy and something new is something that I really instilled into Maudlin House. I wanted to created something was fresh and real.

It’s important to me to be part of the literary community, and it’s important that my authors participate in the literary community. This isn’t just about do-gooding either: the literary community buys literary fiction.

I’d like to see a return to the traditional handsell of bookselling that was the mainstay of the likes of the afore-mentioned J. Laughlin. There is nothing more exciting and satisfyingly rewarding than publishing a good book and getting it into the hands of truly engaged, concerned and discerning readers, regardless of what format they choose.

In general, we’re hoping the publishing world becomes less stuffy, more about sharing ideas and work and just having fun. Not everything has to be so “serious,” in that the institutionalized aspect of it is so off putting and snobbish and gatekeeping at times. Most of all, we want more experimentation all around.

ND/SA publishes new poetry chapbook manuscripts by emerging, diverse New York City writers. We are generally excited by a unified text with a strong sense of voice and purpose and a startling use of beautiful, difficult language.

It’s simple really: I look for queer/trans writers who are making beautiful, powerful work. I love the weird, experimental, avant-garde work that is coming from the margins, and I want to center that work as best as I can. To tack down exactly what I’m after at Damaged Goods is something I haven’t done yet. I’m just publishing work that speaks the loudest to me.

My parting words for anyone interested in publishing books: always trust your gut; prepare to spend a lot of money and make none in return; assume that you will experience some major setbacks; accept that you will disappoint others despite your best efforts to please everyone. If you still want to publish books after taking all of this into consideration, you are doing it for the right reasons, and you’ll likely be thrilled, just as we are, to publish titles that deserve to be distributed the world over.