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“You are about to have Oleoresin Capsicum spray applied to your face. Once that has happened, you will engage the inmate with a baton while giving verbal commands. Do not…

In 1992, a twelve year old boy rented a movie from his local Blockbuster which featured a blonde cheerleader who also happened to be a vampire slayer. I had fantastic…

The Narco-Imaginary: Essays Under the Influence by Ramsey Scott Ugly Duckling Presse, 2016 208 pages – Ugly Duckling / Amazon   Avital Ronell notes that Walter Benjamin begins his essay,…

Thoth created the world by bringing forth a dense mound of earth from the nothingness, which became the fertile land of the Nile Delta, which became the city of Khemmennu.…

Pretentiousness: Why It Matters by Dan Fox Coffee House Press, 2016 144 pages – Coffee House / Amazon   Some might take a book about pretentiousness as a bit, well, pretentious—especially if…

Guillotine is basically just me! I work with a designer, who sets up the interiors and designs the covers, and I do everything else from editing pieces to printing covers to hand-sewing 350 chapbooks at a time to stuffing envelopes. My influences are all over the place; I’m obviously influenced by a long time spent in punk and DIY and zine-making communities in terms of how I run the press and put together the chapbooks—the covers are letterpressed, the chapbooks are handbound, I don’t do (or have plans to do) ebooks.

Sad Spell Press was almost an accident. Elle and I had both considered printing chapbooks in the future but when we read a few of the submissions for Issue 1 and realized we didn’t have the space to share the work in the mag but we did still have the ability to share it, we decided to expand our plans ahead of schedule. We chose the name Sad Spell because it was already in use as the title of our blog, so that everything written that wasn’t for an issue of Witch Craft Magazine would fall under the same title. Our Spellbook Series 1 definitely does the name of our new press justice as each author picks off little pieces of your heart in turn.

I recently purchased a VCR because nostalgia has been hitting me hard lately. My fiance and I rescued one of these archaic machines from a local Goodwill and as many…

One day I noticed strange sentences tacked on to the bottom of spam e-mails.         Sometimes illogical strings of quotations from famous texts, random words, or mixes…

Hey all, we at Entropy are starting an annual award celebrating new voices that add to the brilliant entropy of literature and that “neglect internal statistical correlations in the overall…

Sometimes I feel like I don’t exist, like I do not have a body, and all I can feel is dearth, like something astral has buckled and collapsed. When I…

Letter Machine Editions started as a conversation between Noah Eli Gordon and me in Denver. We were sitting at the bar at City O City, and we were talking about the great small presses that our friends run—Octopus Books, Ugly Duckling Presse, Action Books—and others. Then we started discussing what we’d publish if we ran a press. Before the end of the night that “if” became a “when,” I think—and then it was just a matter of time and energy and money and follow-through.

Well, something I love about Anomalous: it’s not just out for experimental writing (which is more and more my aesthetics), or essays about the Icelandic penis museum, or e-lit. It’s a home for writing that may not, for whatever reason, find a good home elsewhere. My influences are varied and wide, but I read primarily translated poetry, and so I tend to have a really international sensibility. I find a lot of American poets really insular, and so I’m always looking for things that broaden the possibilities of poetry in English.

My mission is to create beautiful, strange little books that a grad student studying the small press movement of the early 21st century will find in a special collections somewhere and they will make her head explode.