creative nonfiction

Our main goal is publishing exciting literary works made from parts. We really leave what exactly this means up to authors. We’ve often told people, “Send us your weird stuff.”

Upfront and Personal A guy who was nude in his profile picture messaged me online. “Hey if you like alternative rock, I suggest you check out 90.7. It seems like…

A new series, The Waters, is looking for written submissions as part of our ongoing Calls For Submissions: I’m interested in water. The waviness of it. The ocean. Bodies of water.…

Some words we like to throw around are: generosity, materiality, love, emergence, multitexuality, book-as-object, pleasure, vernacular, and hybridity.

I bow to you, heron. I bow to stepping out of fear. I bow to patience and focus. I bow to stepping into my power. I bow to risk and…

“…submillimeter wavelengths…” -Tao Wang Academia Sinica Institute of Astronomy and Astrophysics (Taiwan) “I think there is something much deeper about it, about its existence, which we have very little inkling…

Three years after the breakup, the last thing I expected from Martin was spam mail. The spam wasn’t as obvious as a Nigerian prince who’d fallen on hard times and…

Janice needed to get off the phone. She needed to sit in silence. A minute before, I had told her about my plans to meet up with a friend, a…

Ultimately, the one thing about literature is that it’s never static. As soon as something becomes a trend, readers are looking outside of that trend, wondering what new kinds of books are out beyond the breakers, or still an undertow.

It’s one thing—an important, vital thing—to read stories from other lives and get to know them, and it’s another—also vital thing—to read stories about experiences and emotions and situations you or your friends have lived, to feel those things as deeply as it can be felt because you are linked to them.

I.  I crossed the Canadian border in mid-June. The border agent peered at me as I explained that I was going to Horsefly to visit some friends. He told me…

What’s more important: voice or story? I guess that depends but if the writer’s beautiful phrasings don’t stir a reader’s soul or itch a remote corner of his or her skull, then it’s fallen short of its objective and a missed opportunity.

If we’re looking to break new ground, it’s not only the inventive technique of the writing, or even the fine quality of the prose, that distinguishes one writer or press from the next. It’s more likely the ability of the writer to: (1) see past his or her navel (or to at least navigate the navel in an altogether illuminating fashion—e.g., The Shimmering Go-Between); (2) engage the reader; and (3) help the world heal.

We pack into Kanschat’s mom’s minivan because she is the only mom willing to drive us to Santa Maria—a city of strip malls ringed with farmlands—so we can play in…

It’s time to walk out into the evening and bus home. But I move slowly, then stop and listen as Marianne talks on the phone. Hearts usually get cut out…