Image: Melissa Grunrow (left), Ming Lauren Holden (center), Chelsey Clammer (right) I’m falling apart all over the place in a hotel room in some godawful state that’s one-third of…
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On Saturday, November 7th, 2020, four days after election day, all of the major news outlets called the 2020 presidential election for Joe Biden. During the previous four days, which…
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WOVEN is an Entropy series and dedicated safe space for essays by persons who engage with #MeToo, sexual assault and harassment, and #DomesticViolence, as well as their intersections with mental…
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As I write this, an eye looks back at me from my computer. I used to cover my laptop camera with a piece of electrical tape, until the edges curled…
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There are so many ways to get it wrong, to misread, to come to the pages we assign you—and fail. Maybe you see the same story, one of challenge and…
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WOVEN is an Entropy series and dedicated safe space for essays by persons who engage with #MeToo, sexual assault and harassment, and #DomesticViolence, as well as their intersections with mental…
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I felt that artists who were out there working the community, trying to create change often did not have time to do the “business” of writing. I hoped that there would be a way to help those artist by “gifting” them published books as that would only help them further in the community service goals.
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On a bright Wednesday morning in March, we leave for daycare and work because that is what we do, even when we’ve spent the evening in Trauma One of Children’s…
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Image Credit: Patri Hadad “Anthony Bourdain made everyone come to the same table // …
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Back at the dawn of my thirties, in that wet, windy month when fall turns to fell, I found myself mostly jobless, newly loveless, living on a cold, dead warship…
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Image Credit: Emma Margraf I sat in a small and dirty conference room with a young mother and her lawyer for hours before she decided to sign away her…
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We want to be troubled and inspired by the work. If there is anything explicitly outside our aesthetic, it is work that does not trouble us. We also want to be challenged by the distinct and diverse aesthetics of the various editors working together in this collective press.
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If you’re going to get through this and if you’re going to thrive, you need friends and maybe “a community”. It’s sort of a trick word. Sometimes it seems like…
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ND/SA publishes new poetry chapbook manuscripts by emerging, diverse New York City writers. We are generally excited by a unified text with a strong sense of voice and purpose and a startling use of beautiful, difficult language.
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