My seven-year-old lies on the fuzzy rug in her shared bedroom; the ball of her right foot is on top of her left and her arms stretch out in a…
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There is a tree with a good bole on it in the side of the yard next to the drive. I can sit in it. Prop my feet up. Dangle…
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Paintings by Miriam Feldman According to Wikipedia, a jumper (person), in police and media parlance, is a person who plans to fall or jump from a potentially deadly height, sometimes…
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My grandfather’s house stood on the corner of Beech Street in northeast Portland. The two-story home, shaded by tall and leafy trees, sat adjacent to a garage, a workspace filled…
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The apparition of these faces in the crowd; Petals on a wet, black bough. -Ezra Pound, “In a Station of the Metro” Dear Big Toe on my Left Foot, …
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There was nothing to do but climb. The turquoise sky was immeasurable above the yuyuga tree, slim branches swaying and bending with heavy fruit. At ten years old, waking life…
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My best friend growing up was a boy named Seth who lived across the street from me. We were both in the same kindergarten class and hung out after school…
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Woman, Running Late, In a Dress by Dallas Woodburn Yellow Flag Press, 2018 178 pages / Yellow Flag It’s confounding to have the ghost of your seven year old sister haunt…
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Image credit: Jennifer Pagliaro / Toronto Star Writers André Babyn and Jess Taylor became friends in Toronto, Ontario, but are originally both from Caledon, Ontario, a rural area known for…
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The brown townhouse is smaller than I remember. It sits back further from the road than the other townhouses attached to it, flinching into the shadows. Emerald shrubs under the…
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When I was ten years old I tried to teach myself to speak and write Cantonese, using an old Chinese schoolbook I had found in the closet. At that age,…
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WOVEN is an Entropy series and dedicated safe space for essays by persons who engage with #MeToo, sexual assault and harassment, and #DomesticViolence, as well as their intersections with mental…
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That may not be “smart” in the normal sense of the word, but I don’t really care. Kiddiepunk is almost like a big art project to me, and I’ve never used my art as a money-making source. It keeps things pure that way because I just do what I want and I only publish things that I love. There’s no pressure on any particular release to “succeed” on a financial level. It’s a punk mentality that is just kind of ingrained in my head. But it’s great these days because you can do these things relatively affordably and sell them directly to the people who are interested. You don’t need distribution, ISBNs, any of that stuff. You just need to put your energy into making something great. In the not-so-distant past, before the internet, before high quality digital printing, you really couldn’t do what I do now, so it’s cool.
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