chapbooks

We do a lot of work behind the scenes, but the writers create the work so they deserve the most credit and profit for it. They are the reason we even have a project to work on in the first place.

From the one ad we ran, we received 2,500 submissions the first 2 months and 6,000 in the four months that followed. We had enough to publish for a year or two and word of mouth carried us from there.

Website Submission Guidelines Interview with Josh Dale, Editor-in-Chief How did Thirty West Publishing House start? It was in my 3rd year of undergrad at Temple University. I recently switched my…

I named it Under a Warm Green Linden after an image in one of my favorite poems, “The Day of My Death” by Pier Paolo Pasolini. With time—admittedly slowly—the project grew into the journal and press today, which publishes two digital issues a year, broadsides, chapbooks, reviews, and interviews.

I’m interested in writers who offer exceptional counterpoints to the literary mainstream. These days that usually means people situated outside the Academy.

We’re pleased to bring you the newest installment of the Where to Submit list, headlined by a photo from Pelle Cass’s “Selected People” series. Cass writes: This work both orders the…

“I love poetry and it’s so central to my life it doesn’t feel like coping to manage a tiny press.”

We hope to continue publishing work that fuses, deconstructs, grafts, (re)imagines, connects, & disentangles the myths, customs, language, narratives, ideologies, apparatuses, & presuppositions of the contemporary milieu & moment. There’s so many incredible people making incredible art. We’re here to help bring it alive.

Part of what we love about editing the journal​ and the press​ is that we get to read writing from so many writers who we may never have known about had they not submitted work to the reading period. That’s part of our mission—the esteemed fringes, the unguarded egresses. We try, in each ​chapbook series and each issue of the journal, to balance both genre of work and writer identity in many ways, so this balancing also undergirds our aim.

We’re dedicated to cultivating innovative and unconventional work by both established and emerging writers that pushes the bounds of literary norms. Everything we publish is an extension of our own interests: we want writing that’s a little off, views the world a little askew. We really like self-aware work that operates within a genre, but at the same time pokes at the molding a little. The hard-to-classify.

We started out of a framepack & computer screen tight-roping language, trying to figure out what can’t be said & how to say it. I guess the ramble can be summed up with—narcissism leading to boredom leading to community leading to fulfillment.

Writing about Anomalous Press for Entropy‘s own small press database project, founding editor Erica Mena offers this summation of the press’ mission: “to create beautiful, strange little books that a…

I think Poets & Writers summed our aesthetic up perfectly when they described WILDNESS as a journal “that embraces the mysteries of the self and the outside world.” Our tastes run along two parallel paths: the internal and external savagery and peace of the lived life. We love to experience the calm of a studied life, but also the rawness and pain of a truth expressed.

The press arose from our founding editors’ observation that the publishing world lacked explicitly inclusive feminist presses. There were (and are!) many excellent presses promoting women and LGBTQ writers; GGP’s contribution to the field was meant to be an explicit invitation to feminists of every gender and sexuality to consider (and/or challenge) what constitutes feminist work.