chapbooks

Our aesthetic builds on the idea of resonance, and poems that can offer moments of discovery with every new reading. Our mission is to be “committed to upholding the values that make poems timeless.”

Backbone is a niche press that focuses on writers of color and culture writing. We believe, in art, but certainly the literary arts, every voice is essential.

It can feel like a labour-intensive process, but I’ve found that there’s huge appreciation, from both the poets and the readers, when effort is made to give the words a beautiful home.

Website Submission Guidelines Interview with Joan Baranow and David Watts, Editors How did Wolf Ridge Press start? Our press started in 2008 when David had put together a collection of…

We do a lot of work behind the scenes, but the writers create the work so they deserve the most credit and profit for it. They are the reason we even have a project to work on in the first place.

From the one ad we ran, we received 2,500 submissions the first 2 months and 6,000 in the four months that followed. We had enough to publish for a year or two and word of mouth carried us from there.

Website Submission Guidelines Interview with Josh Dale, Editor-in-Chief How did Thirty West Publishing House start? It was in my 3rd year of undergrad at Temple University. I recently switched my…

I named it Under a Warm Green Linden after an image in one of my favorite poems, “The Day of My Death” by Pier Paolo Pasolini. With time—admittedly slowly—the project grew into the journal and press today, which publishes two digital issues a year, broadsides, chapbooks, reviews, and interviews.

I’m interested in writers who offer exceptional counterpoints to the literary mainstream. These days that usually means people situated outside the Academy.

We’re pleased to bring you the newest installment of the Where to Submit list, headlined by a photo from Pelle Cass’s “Selected People” series. Cass writes: This work both orders the…

“I love poetry and it’s so central to my life it doesn’t feel like coping to manage a tiny press.”

We hope to continue publishing work that fuses, deconstructs, grafts, (re)imagines, connects, & disentangles the myths, customs, language, narratives, ideologies, apparatuses, & presuppositions of the contemporary milieu & moment. There’s so many incredible people making incredible art. We’re here to help bring it alive.

Part of what we love about editing the journal​ and the press​ is that we get to read writing from so many writers who we may never have known about had they not submitted work to the reading period. That’s part of our mission—the esteemed fringes, the unguarded egresses. We try, in each ​chapbook series and each issue of the journal, to balance both genre of work and writer identity in many ways, so this balancing also undergirds our aim.

We’re dedicated to cultivating innovative and unconventional work by both established and emerging writers that pushes the bounds of literary norms. Everything we publish is an extension of our own interests: we want writing that’s a little off, views the world a little askew. We really like self-aware work that operates within a genre, but at the same time pokes at the molding a little. The hard-to-classify.