Hexes+Numbers is a new interview series where all the questions are randomly generated hex color codes (#000000), and randomly generated numbers without any context provided. It’s up for the interviewee to…
andrew byrds
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ConversationInterview
Hexes+Numbers: An Interview With Sadie Dupuis
by Andrew Byrds December 28, 2020Hexes+Numbers is a new interview series where all the questions are randomly generated hex color codes (#000000), and randomly generated numbers without any context provided. It’s up for the interviewee to…
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ConversationFeaturedInterview
Hexes+Numbers: An Interview with Sophie Jennis
by Andrew Byrds December 21, 2020Hexes+Numbers is a new interview series where all the questions are randomly generated hex color codes (#000000), and randomly generated numbers without any context provided. It’s up for the interviewee…
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ConversationFeaturedInterview
Failure Is The Universe Testing Our Resolve: In Conversation With Michael J Seidlinger
by Andrew Byrds July 16, 2020Dreams of Being is out now via Maudlin House. Andrew Byrds: This book couldn’t have come out at a better time. With a pandemic, an onslaught of political and social…
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ConversationInterview
Nothing is embarrassing if you aren’t embarrassed: Tea Hacic-Vlahovic on Milan, Clubbing, and being the Life of the Party
by Andrew Byrds June 2, 2020Life of the Party is out now from CLASH Books. Andrew Byrds: Milan is presented as a city of opposites in your book, and these contradictions are explored a lot.…
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ConversationFeaturedInterview
We’re all suffering, so let’s laugh about it: Brian Alan Ellis on Obliterating Ego, Carly Rae Jepsen, And Being a Bad Poet
by Andrew Byrds April 21, 2020Bad Poet is available for pre-order now at House of Vlad Productions. Andrew Byrds: For the first question, I wanna backpedal to our first interview. We hit the ground running…
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ConversationInterview
Hell is the truth, the shadow, the blind spot, the thing you don’t want to look at: In Conversation with Kim Vodicka
by Andrew Byrds March 28, 2020The Elvis Machine is available for preorder now from CLASH Books. Andrew Byrds: So, the first thing I noticed in your collection was your word play and twisting language. I…
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Give It to the Grand Canyon is available now from Philosophical Idiot. Andrew Byrds: Your writing is very spiritual, contemplative, and it seems each sentence you put down is like…
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ConversationInterview
Little Streams Feeding Into the Ocean: Shane Jones on Ego, Depression, and Disappearing as a Writer
by Andrew Byrds July 9, 2019Vincent and Alice and Alice is now available from Tyrant Books. Andrew Byrds: It’s been five years from the publication of Crystal Eaters to the publication of Vincent and Alice…
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ConversationFeaturedInterview
Underneath Our Skin: Anna Suarez on Sex, Healing, and the Art of Letting Go
by Andrew Byrds June 18, 2019During AWP this last March I had the pleasure of meeting Anna while hanging out with Leza from CLASH Books, we walked around downtown smoking and looking at the metro…
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ConversationInterview
Always in Costume, Always in Their Feelings: Richard Chiem on Grief, Coping, and Being True to Your Characters
by Andrew Byrds June 7, 2019Andrew Byrds: So I’ve been doing some digging into what people are saying about King of Joy. This goes beyond just reading the blurbs on the back of my copy,…
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ConversationFeaturedInterview
Underneath there is a deadliness and a scary indifference: Juliet Escoria on Writing as Anti-Therapy, Routine, and Juliet the Maniac
by Andrew Byrds May 8, 2019Juliet the Maniac is now available from Melville House Andrew Byrds: Earlier on in your book, you make it a point to let the reader know this is a fictionalized…
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Mother Winter is out now from Simon & Schuster Andrew Byrds: Mother Winter cordons itself off from traditional memoirs in that rather than present your life through concrete narrative you…
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ConversationInterview
An Inescapable Reality of Being Human: Autumn Christian on Sex, Coffee, and Being More than Horror
by Andrew Byrds March 22, 2019GIRL LIKE A BOMB comes out March 26th from Clash Books, and can be ordered here. Andrew Byrds: So you began GLAB as a means of trying something new and…