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LiteraturePoetry

Poetry from Annie Won

written by Guest Contributor January 1, 2015

 

Dear Mother Dear Friend:

I don’t even know who you are.

Not knowing is a substitute for any story we can tell.

What is the condition of body. What body. Windows bent to tilt, facing out. The interior lacks light but we need to draw it in. The sky it mirrors. What do you see. The sun goes up the sun goes down. I can’t pretend you never saw my face. I used to search for arrows, gather them for you, in case you needed them. You told me better than being alive was living through you. You didn’t want to live but didn’t want anybody else to, so you liked reminding me.

I am afraid to say house because walls are implied. Often running without knowing where we come from, where we’ll go. Some matters are left behind. I told you you’re right, erase my mark, and the house doesn’t hold.

 

 

 

dear lover:

within range there is only skin on skin        in bed your skin is a sort of

tent of underneath a small heap in the morning

underneath the body is trained   a still kind of war   underneath the swim

no waves on the surface        nothing lies beneath

you say you don’t know                 you are taught to be comfortable

low to the ground       nails on skin            the kind you like

to play slave and master every night an old game everyone knows

all the time     the only time you see yourself    red on the skin

beating another       low to the ground it becomes      what does it become

 

 

 

dear mother:

the only slave narratives you know are the ones where I am in chains

I wanted to tell you to stop but another page turns      never enough light in the day

the teacher says my words belong to the lineage of yellow women on boats coming to

America the waves move the blue waves move sheets of paper held by popsicle sticks by two

people two hands on two sides nothing happens when they stop moving the boat stops and then

mother tell me what happens when we get off the boat who beat you who do I have to blame

the motions of peristalsis digestion of time and space by two sides pull and pull

you would rather be dead don’t tell anyone just remember I tell you I tell you

a little girl just like you saw body bags falling off the towers in Hong Kong a memory

this is just a memory I have for you from my childhood remind me

remind me why you keep me alive to tell others I didn’t tell you

I didn’t tell you a thing you tell me there is no time for stories welcome to America

 

 

 

dear white woman dear teacher:

in the living room of the white woman teacher the master the owner of the red black cut

Chinoserie whimsy the white woman asks you her yellow slave to serve her tea the yellow girl’s face

a face of a tea cup to gaze into and then throw in the sink a design for the occasion of tea leaves read sooner

discarded the stories better left loss the beauty of carriage the yellow woman the billows of wind and wave

mouth mists to whisper the yellow veins of her yellow body scroll in calligraphy flourish the ink

dries the page turns the words see themselves themselves the sin of being yellow of being blossoms to

remember: if the white woman asks you to excuse yourself and leave yourself behind

the condition everything asks itself wonder where in furniture you propose to have purpose

if in becoming have you what your teacher tasks can you be and not more can you understand the yellow

in sunlight loses color

then will you be your own sun

then will you be

then will you

 

 

 

in America there is no time to cry

in high school my geometry teacher taught me pink in the face to

go to the bathroom wet some paper towels cold and apply them

to my eyes to reduce the swelling to look more appropriate because

it is too early in the morning to admit what last night or rather an hour

ago might have happened because it doesn’t happen if you

erase it and it didn’t              this is a lesson I learned early

this is the only conversation we  ever had about it

we didn’t talk afterwards and nothing happened

you were asking me what I know and I just told you

nothing              this is what I know

 

 

 

when you have children

the condition of everything
asks you if you will become

have you become, you ask me
you ask me if I am becoming anything

I tell her, mother,
I tell you I am no longer the gum under your shoe

I was never the gum under your shoe
I am nobody’s shoe
 

 

 

 

 

Annie WonAnnie Won is a poet, yoga teacher, and medicinal chemist who resides in Somerville, MA. Annie is particularly interested in spaces of mind, body, and page and creative opportunities within these domains. She is a Kundiman Fellow and a Juniper Writing Institute scholarship recipient. Her chapbook with Brenda Iijima, Once Upon a Building Block, recently published with Horse Less Press this summer and individual chapbook, so i can sleep, is forthcoming from Nous-Zot Press. Her work has appeared in Shampoo, RealPoetik, New Delta Review, and Delirious Hem, and is forthcoming from EAOGH, TheThePoetry, and TENDE RLION. Her critical reviews can be seen at American Microreviews and Interviews.

Poetry from Annie Won was last modified: January 1st, 2015 by Guest Contributor
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