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      December 2, 2019

      Review

      Review: If the House by Molly Spencer

      November 18, 2019

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      The Nabis’ Eye-Pleasing Corners of Creation: Review of Bonnard to Vuillard: The Intimate Poetry of Everyday Life

      November 18, 2019

      Collaborative Review

      A Street Car Named Whatever

      February 22, 2016

      Collaborative Review

      Black Gum: A Conversational Review

      August 7, 2015

      Collaborative Review

      Lords of Waterdeep in Conversation

      February 25, 2015

      Collaborative Review

      MOUTH: EATS COLOR and the Devoration of Languages

      January 12, 2015

      Video Review

      Entropy’s Super Mario Level

      September 15, 2015

      Video Review

      Flash Portraits of Link: Part 7 – In Weakness, Find Strength

      January 2, 2015

      Video Review

      Basal Ganglia by Matthew Revert

      March 31, 2014

      Video Review

      The Desert Places by Amber Sparks and Robert Kloss, Illustrated by Matt Kish

      March 21, 2014

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ArtCultureSyllabus

Mini-Syllabus: The Bakersfield Fan Forum

written by Guest Contributor September 12, 2016

“Everyone is a fan of something.” The concepts of “the fan,” “the amateur” and the “self-published writer” have often been denigrated and ridiculed in popular culture and the media. However, over the past several centuries (at least) the cultural practice of “fandom,” of being a fan, has broadened and diversified, and become more participatory in the process. In this class we will investigate the various ways enthusiasms and fandoms are articulated in contemporary poetry and visual art. You will assist the Poetic Research Bureau in designing and publishing multiple fanzines and books—and we will create a pop-up bookshop and exhibition.


Required Texts

  • Julian Hoeber, “The Fan Club: Why Enthusiasm, Not Scholarship, Motivates Artists,” Frieze Magazine, 2015
  • Kate Durbin, E! Entertainment (excerpts), 2014
  • Trisha Low, “Poetry Is Not the Final Girl,” and “The Compleat Purge,” (excerpts), 2015
  • Brian Kim Stefans, “Radiohead,” 2016
  • Harmony Holiday, “Improvising the Mingus School,” (excerpts), 2015-ongoing
  • Ben Fama, “Fantasy,” (excerpts), 2015
  • Darren Wershler-Henry, “Conceptual Writing as Fanfiction,” 2013

Recommended Texts

  • Henry Jenkins, “Textual Poachers,” (excerpts), 1992
  • Lisa Gitelman, “Amateurs Rush In,” 2014
  • Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington, “Why Study Fans?” 2007
  • Vera Keller, “The ‘Lover’ and Early Modern Fandom,” Transformative Works and Cultures, 2011
  • Kristina Busse and Karen Hellekson, “Work In Progress,” 2006
  • Robert M. Price, “Acolytes of Cthulhu,” 1997
  • Mark Owens, “Vapegaze,” Bricks From the Kiln #1, 2015
  • Mark Owens, “R.I.P. Notes on the Paul McCartney Shadow Canon,” 2010
  • J.G. Ballard, “The Atrocity Exhibition,” (excerpts), 1970
  • Kenneth Anger, “Hollywood Babylon,” (excerpts), 1974
  • Morgan Parker, “There Are More Beautiful Things Than Beyoncé,” (excerpts), 2017
  • Kevin Killian, “Argento Series,” (excerpts), 1997
  • Hannah Black, “Dark Pool Party,” (excerpts), 2016
  • CA Conrad, “Advanced Elvis Course,” (excerpts), 2009
  • Julia Bloch, “Letters to Kelly Clarkson,” (excerpts), 2012
  • Andrew Durbin, “You Are My Ducati,” and “Monica Majoli,” (excerpts), 2013
  • Brian Droitcour, “Young Incorporated Artists,” Art In America, 2014
  • Alexandro Segade, “Fanbase and Superstructure,” Artforum, 2015

11988389_10154261321263146_6076907321483307618_nJoseph Mosconi is a writer based in Los Angeles. He codirects the Poetic Research Bureau and coedits Area Sneaks. He is the author of Fright Catalog (Insert Blanc Press, 2013), Demon Miso/Fashion in Child (Make Now Press, 2014) and Renaissance Realism (Gauss PDF, 2016).

 

 

Mini-Syllabus: The Bakersfield Fan Forum was last modified: September 7th, 2016 by Guest Contributor
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