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      The Birds: In Our Piety

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      Variations: Landslide

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      December 5, 2019

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      Best of 2019: Best Fiction Books

      December 5, 2019

      Fiction

      Vexing the Dog

      November 27, 2019

      Fiction

      A Hurt In Negative

      November 20, 2019

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      Obsessive, Recursive Violence and Concentration: Charlene Elsby’s Hexis

      December 5, 2019

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      EVERYTHING CAN GO/ ON THE GRILL: A Combined Review of Alissa Quart

      December 2, 2019

      Review

      Review: If the House by Molly Spencer

      November 18, 2019

      Art

      The Nabis’ Eye-Pleasing Corners of Creation: Review of Bonnard to Vuillard: The Intimate Poetry of Everyday Life

      November 18, 2019

      Collaborative Review

      A Street Car Named Whatever

      February 22, 2016

      Collaborative Review

      Black Gum: A Conversational Review

      August 7, 2015

      Collaborative Review

      Lords of Waterdeep in Conversation

      February 25, 2015

      Collaborative Review

      MOUTH: EATS COLOR and the Devoration of Languages

      January 12, 2015

      Video Review

      Entropy’s Super Mario Level

      September 15, 2015

      Video Review

      Flash Portraits of Link: Part 7 – In Weakness, Find Strength

      January 2, 2015

      Video Review

      Basal Ganglia by Matthew Revert

      March 31, 2014

      Video Review

      The Desert Places by Amber Sparks and Robert Kloss, Illustrated by Matt Kish

      March 21, 2014

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Small Press

Flood Editions

written by Entropy June 23, 2015

This is the forty-eighth in Entropy’s small press interview series, where we ask editors about their origins, their mission, and what it’s like to run a press. Find the other interviews from this series in our Small Press Database here and under the Resources tab at the top of the page.


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Interview with Devin Johnston, Editor

How did Flood Editions start?

Flood Editions was founded in Chicago in 2001 by Michael O’Leary and Devin Johnston. The press is an enterprise of friendship and enthusiasm. Our first books were Ronald Johnson’s The Shrubberies and Pam Rehm’s Gone to Earth. From the beginning, our design director (and friend) Jeff Clark was an essential part of the process.

Tell us a bit about Flood Editions. What are your influences, your aesthetic, your mission?

From the start our focus has been poetry, primarily work that might be described as modernist, but far-flung and eclectic. Our sixty-odd books include British and Australian poets; translations from ancient Chinese, Greek, and Persian; innovative new work alongside lost modernist classics; the living and the dead. In this way we hope to find new paths to the present. Our mission is to present such work in finely made yet affordable editions.

Can you give us a preview of what’s current and/or forthcoming from your catalog, as well as what you’re hoping to publish in the future?

Certainly! We recently published two volumes by Australian poets: Robert Adamson’s Net Needle and Ali Cobby Eckermann’s Ruby Moonlight. Adamson just finished a North American tour, and he has been described in the Times Literary Supplement as “one of the finest Australian poets at work today.” Ruby Moonlight is a narrative poem of frontier violence and colonization in nineteenth-century Australia. It won The Age Book of the Year, and it is actually the first volume of Aboriginal Australian poetry published in North America. It’s a powerful book that traveled a long way to reach us.

Later this month we will publish Playtime by William Fuller, full of deadpan memoranda and dark parables. In September we will be publishing John Tipton’s translation of Seven against Thebes by Aeschylus, and later in the fall, Graham Foust’s Time Down to Mind.

What about small/independent press publishing is particularly exciting to you right now?

There’s a strong appreciation these days for a wide variety of poetry, and for the book as an object: in other words, things that concern us.

How do you cope? There’s been a lot of conversation lately about charging reading fees, printing costs, rising book costs, who should pay for what, etc. Do you have any opinions on this, and would you be willing to share any insights about the numbers at Flood Editions?

We have a devoted readership and an interesting back list. As a nonprofit organization, we receive support from contributors and occasional grants.


Recent Flood Editions releases: 

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Flood Editions was last modified: July 5th, 2015 by Entropy
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