Small Press

From the one ad we ran, we received 2,500 submissions the first 2 months and 6,000 in the four months that followed. We had enough to publish for a year or two and word of mouth carried us from there.

We’re influenced by the old school printers and their legacy of radical politics. The three of us love print and everything related to the medium, but we’re also committed to social justice.

Website Submission Guidelines Interview with Ken Hunt, Editor How did Spacecraft Press start? Spacecraft Press began in 2014, when I was having a conversation with derek beaulieu. We were talking…

We aim to produce fine books of the very best contemporary writing. Each season’s new titles features the cover artwork of a visual artist or illustrator. We strongly encourage women, writers of colour, LGBTQ writers, Indigenous writers, and writers with disabilities to submit. 

I wanted to find an approach that would encourage writers to promote their work while also creating an urgency for the reader. The answer was Disappearing Chapbooks. Collections with a shelf-life of 72hrs.

It’s hard to find a place if you don’t fit into those categories. Part of this is that small press publishing is generally unpaid or underpaid. To ask an already marginalized person to take on that type of unpaid labor is difficult, and it creates this cycle.

Our mission at Baobab Press is to utilize our decades of experience in the book industry to promote works of heart and substance that are relevant now and will remain relevant in the future.

Instead of seeing the world in such dualistic terms as East versus West, North versus South, we envision the gathering of the most progressive elements everywhere, and the publication of such a gathering in our list.

It’s sort of a marriage of my beloved zine culture and the indie press world. Zines are a huge influence on my life, I thought I invented them when I put out my first “Question Authority” zine in high school. I am always inventing things that already exist.

Website Submission Guidelines Interview with Josh Dale, Editor-in-Chief How did Thirty West Publishing House start? It was in my 3rd year of undergrad at Temple University. I recently switched my…

As a non-profit, mission-driven press, our goal is to ensure US culture includes, values, and reflects Hispanic contributions. Arte Público began publishing Latino authors of the US, including Sandra Cisneros’ The House on Mango Street, and works by Ana Castillo, Denise Chávez, and Gary Soto.

The bottom line: I want poetry to open me up, to awaken or reawaken me in some way, to make me have to stop and read and ponder it even though so much else demands my attention. I expect the best poetry to do nothing less than expand consciousness in a way that will ultimately change the world.

I named it Under a Warm Green Linden after an image in one of my favorite poems, “The Day of My Death” by Pier Paolo Pasolini. With time—admittedly slowly—the project grew into the journal and press today, which publishes two digital issues a year, broadsides, chapbooks, reviews, and interviews.

Website Submission Guidelines Interview with Kate Partridge and Alyse Knorr, Editors How did Switchback Books start? Switchback Books was founded in 2006 by the amazing poets and editors Hanna Andrews,…