As I was obsessing about sweet Arthur Fleck and super-hot Joaquin Phoenix’s Joker, like many others, I started following online all of those thousand social media groups posting a thousand…
Like entering a tastefully debauched party in a loft and finding out it used to be a yeshiva, I walked into Russian Doll not expecting a tour of the modern…
Note: This essay contains significant spoilers of the film Parasite. Unlike tangible objects, such as purses, eyeglasses and cars; or, how someone eats their food; crooked teeth, plastic surgery, limited…
A tomboy who chafed at dresses and dolls, I turned up my nose at Little Women and the boringly harmonious, beribboned girls who adorned the cover of my mother’s well-worn…
Yesterday afternoon I entered the Nitehawk Cinema out of respite from the first day of New York winter to catch an early showing of Bong Joon-Ho’s new film Parasite. I…
We are at an end. We stand at the dusk of a decade. In a few short weeks the Earth’s final revolution around the sun will place us forever beyond…
Hunched over shouldering my duffle, just home from college, my dad stops me on the sidewalk. “You look like someone I … could have a deep conversation with,” he stutters,…
Continuing with our series of “Best of 2019″ lists curated by the entire Entropy community, we present some of our favorite selections as nominated by the diverse staff and team…
A List by John Purcell It is difficult to make a definitive list of Los Angeles films so this is a work in progress. There are too many…
Quentin Tarantino’s Once Upon a Time… In Hollywood is an indulgent romp through bygone Hollywood, reaching its climax on August 6, 1969, night of the Manson family’s infamous Sharon Tate…
The 15:17 to Paris chronicles the true-life story of U.S. First Class Airman Spencer Stone, along with U.S. Army Specialist Alek Skarlatos and their mutual friend Anthony Sadler, who played…
On a show where the hard-working, virtuous, “good” families are the lily-white Hortons and Bradys, and the criminal, selfish “bad” families are of a darker hue (the Greek-American Kiriakises and…
A Review of Hulu’s Catch-22 and Prognostications for Netflix’s One Hundred Years of Solitude Once upon a time, Catch-22 by Joseph Heller was, according to Vanity Fair, “one of the…
With the releases of Drive (2011, Refn) and Baby Driver (2017, Wright), American audiences saw two non-American directors, a Dane and a Brit, take on a quintessential American sub-genre, a…